PARADOX OF LOCATION AND POETRY IN YEIBO'S THE FORBIDDEN TONGUE AND IKIRIKO'S OILY TEARS OF THE DELTA
CHAPTER ONE
INTRODUCTION
BACKGROUND OF THE STUDY
The intersection of location and poetry has long fascinated scholars and artists alike. The power of place to shape artistic expression, and the ability of poetry to capture the essence of a location, have been subjects of exploration and contemplation throughout literary history. In African literature, this dynamic relationship between location and poetry takes on a unique dimension, reflecting the diverse landscapes, cultures, and sociopolitical contexts of the continent. Two prominent African literary works, Yeibo's "The Forbidden Tongue" and Ikiriko's "Oily Tears of the Delta," delve into this paradoxical interplay, offering profound insights into the complex relationship between place and poetic expression.
Yeibo's "The Forbidden Tongue" transports readers to a politically oppressive society, where the act of poetic expression becomes an act of defiance and resistance. The setting itself becomes a paradox, as the physical and social landscape restricts the poet's ability to freely express their thoughts and emotions. The narrative unfolds within a repressive regime, where the ruling powers exert control over language and suppress dissent. The very act of speaking out through poetry becomes an act of rebellion against the oppressive forces at play. Through this paradox, Yeibo explores the intricate connection between location and poetic expression, demonstrating how the poet's words, though dangerous, can also serve as a powerful tool to challenge the status quo and inspire change.
Ikiriko's "Oily Tears of the Delta" presents a contrasting but equally captivating exploration of the paradox of location and poetry. The narrative unfolds in the Niger Delta, a region known for its breathtaking natural beauty, rich cultural heritage, and vast oil reserves. However, the Delta also bears the scars of environmental degradation, caused by decades of
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